Camel Texting, 2015 Acrylic on canvas 36x48 in.
Executive Decision, 2015 Acrylic on canvas 30x48 in.
3. Google This, 2015 Acrylic on canvas 36x48 in.
Holy Cow, 2015 Acrylic on canvas 36x48 in-
5. iBuddha, 2015 Acrylic on canvas 36x48 in.
MOCA Mocha, 2015 Acrylic on canvas
7. Self-Portrait, 2016 Acrylic on canvas 16x12 in.
Slave Labour, 2014 Acrylic on canvas 48x36 in.
9. Tate Modern, 2014 Acrylic on canvas 48x36 in.
10. Three Cypress, 2016 Acrylic on canvas 20x16 in.
11. Waiting to Happen, 2014 Acrylic on canvas 36x48 in.
F.R.E.D., 2015 Acrylic on canvas 36x48 in.
"Give full value to the words of those who
believe in you, half to those who urge caution, and none to people
who limit you."
Being Bruce (BeingBruceBrown.com)
I am usually working on more than one series of paintings. The art
shown here is from the “Electronica” series, a historical
documentation of the contemporary use of electronic devices. This is
a collaborative series of paintings, involving several other
artists, photographers and models. The primary painting
collaboration is with Anastasia Nelson. (The painting is simply
passed back and forth, there is no visible “hand” of either artist.)
Currently, I continue to work on Plein Air paintings, done in a
“reductionist” style – simplified and over saturated with colour.
This style has been consistent over my fifty year career as a
working artist. I am also working on collaborative series entitled
“Barnyard Animals” with artist Anastasia Nelson (University of