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Ping HE. China
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1.Ping-01, 2018 Acrylic on Canvas 50x60 cm.
2.Ping-02,
2018 Acrylic on Canvas 50x60 cm.
3.Ping-03, 2018 Acrylic on Canvas 50x60 cm.
4.Ping-04, 2018 Acrylic on Canvas 50x60 cm. 5.Ping-05, 2018 Acrylic on Canvas 50x60 cm.
6.Ping-06, 2018 Acrylic on Canvas 50x60 cm.
7.Ping-07,
2018 Acrylic on Canvas 50x60 cm.
8.Ping-08,
2018 Acrylic on Canvas 50x60 cm.
9.Ping-09,
2018 Acrylic on Canvas 50x60 cm.
10.Ping-010,
2018 Acrylic on Canvas 50x60 cm.
11.Ping-011,
2018 Acrylic on Canvas 50x60 cm.
12.Ping-012,
2018 Acrylic on Canvas 50x60 cm. |
Statement
As is apparent, the images I paint do not capture definite physicality,
but are rather themselves in a dynamic state of transformation dictated
by the rhythm of their conceptualisation. This makes my painting a
totally natural occurrence and visible consequence of the creative
process. (Ping He)
Writing: Painted parts of a whole
• He Ping, an artist born in Shanghai, has learned to draw exquisite and
changeable paintings from traditional calligraphy art and modern
expressionism. The architecture of traditional Chinese calligraphy lays
the basis for He Ping’s pattern creation, whose figures are presented in
a minimalist manner. By applying numerous performance techniques, He
Ping sometimes sketches abstract skeletons with light, fast lines,
whilst sometimes paints complicated compositions with thick ink and
heavy colors. With neat, simple backgrounds, He ping highlights the
gradually changing colors and the dynamics of the arc. Every stroke
seems clear and full, generating a visual impact maximally. In addition
to colors, texture also plays an important role in his works, with thin
blocks as light as the yarn, and the heavily layered-up paint looking
like a hill protruding from the canvas. The application of geometrical
figures by traditional Chinese calligraphy, as sublimed and interpreted
by the painter, leads to satisfactory results equal to Kandinsky’s
cubism. He Ping’s creation is not only distinguished from Western
painting arts, but is also considered an independent school in Modern
Chinese fine arts, with a creativity and comprehensiveness that allowed
him to reserve and blend the essence of Chinese and Western arts in his
paintings.
Writing: Chinese artist He Ping talks to Lorella Fava about his latest
exhibition, Persistence of Form
• The idea of deconstruction, introduced by French philosopher Jacques Derrida referring to the breaking apart of elements traditionally combined together, is not something new for the contemporary world. We now appear to live in a culture obsessed with the breaking down of structure, going so far as having restaurants serving ‘deconstructed banoffee’ and ‘deconstructed burgers’. This idea of entangling a united whole, be it an object or a more vague ideology, and focusing on its basic materials is something which has also influenced the art world. Looking at He Ping’s art pieces in his exhibition Persistence of Form, one can see a deconstruction of structure as his works are filled with shadows, dynamic movements and primordial forms, rather than a solid pictorial representation of an object.
"As is apparent, the images I paint do not capture definite physicality, but are rather themselves in a dynamic state of transformation dictated by the rhythm of their conceptualisation. This makes my painting a totally natural occurrence and visible consequence of the creative process."
Despite the abstract façade of the works, ping’s abstraction is, in effect, deeply rooted in nature, life and humanity as Ping still attempts to portray the human figure, rather than notions that are more nonconcrete in their representation. Ping explains, however, that while painting the human subject, it is part of “the vast cosmic space within which I explore both family and unfamiliar state of existence.”
Speaking
further on this idea of the familiar and unfamiliar, Ping necessitates
that even though one can deem the human figure as realistic, what the
public might recognize as “realistic” and “abstract” are their own
personal inferences of what he paints. In this manner, Ping attempts to
deconstruct not the structure of an object he attempts to portray per
se, but the preconceived notions of realistic/familiar and
abstract/unfamiliar. Innovation, in this sense, is a “departure from
common belief”.
Despite his focus on questioning the traditional ways of looking at art,
what is interesting to note in Ping’s work is that his hold on tradition
is still apparent is his use of calligraphic techniques to produce works
that are more instinctive in nature.
“I wield my brush freely to express a perception or concept. Nonetheless, in the process of painting, habitual practices and techniques of Chinese character writing are indeed manifested.”
Thus, through Ping’s colorful work, the viewer is able to enjoy quintessential elements of Chinese culture with a contemporary and modern searching expressionistic approach.
“It is
through searching in the depths of things that I discovered the infinite
possibilities of painting. There possibilities may not be apparent, but
they are indeed an existing component of the colorful and structural
constituents of life and the universe.” (TIME OF MALTA Monday,
September 5, 2016)
Exhibition and Art Activities
• 2017 Apr-May -VIVA Valletta International Visual Art Festival, solo
exhibition in The MILL B’KARA.
• 2016 Sep. - Solo exhibition in ST JAMES CAVALIER, Valletta, Malta
• 2015 Ma . - Solo exhibition in Madrid, Spain at China Culture Center.
• 2015 Feb. - Solo exhibition in Malta at China Culture Center.
• 2014 Dec. - Solo exhibition in Berlin, German.
• 2013 Jun. -Solo exhibition “City & He” opened in 188 Art Salon
• 2007 Nov. - Attending The 11th Shanghai Art Fair 2007.
• 2006 Nov. - Solo exhibition in Shanghai Big Warehouse Gallery in M50.
• 1999 Sep. 1-29 -Be invited by “Stephen Gang Gallery” in New York to
attend the group exhibition with the title “Cross cultural voice –
Between Memories”.
• 1997 Aug. - Eight paintings exhibited in 97 Shanghai Art Fair.
• 1997 Jan. 1-7 - Big Solo Exhibition (over sixty paintings) opened in
New Shanghai Library opening ceremony.