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Tamara Robertson
USA
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1.Meditations of the Albatross, 2008 Mixed Media 36x36x4 in. 2.Poetic Nuances of a Box, 2007 Mixed Media on Panel 60x48x6 in. 3.Ritual Sojourn of the Renegade, 2009 Concrete and Iron 52x52x4 in. 4.The Assonance of Scruples' Bane, 2008 Mixed Media 36x36x4 in. 5.The Divine Philosophy of Fusion, 2008, Mixed Media 60x60x10 in. |
Realistic to
representational rendering of an object, that is portraying its outward
appearance, or shape is part of the tradition of art. Likewise, creating
abstractions has also been the aspiration of many artists. Often times, the
goal of these works has been to translate reality as a formal device in an
artistic medium.
The objective of my work is not only to use abstraction as a formal device,
but to investigate how abstraction is shaped by my personal vision through
the connection of my intuitive processes and formal strategies. My intent is
to make use of abstraction to allow expressively elevated, poetic imagery to
emerge and discover unpremeditated narratives or formal design solutions.
This aim is achieved by using my invented intuitive working methods that
evokes unplanned images from investigations that make use of traditional and
non-traditional methods and materials. A variety of strategies from the
traditions of art are employed: action painting, reductive/ minimalist
approach, shaped panels/altering picture frame and plane, mixed media,
digital painting/drawing, texture/industrial materials.
I am passionate about creating artwork and am relentless in my studio
investigations. My approach in making art is a compilation of life
experience, temperament, and visual awareness of past and present art
concepts. I internalize the visual stimulation collected from visiting art
museums, exhibitions, openings, performances, readings, etc. I draw upon
this visual stimulation in a non-imitative way and trust myself to
internalize and personalize things that strike me visually and
intellectually. This information, transformed through studio investigations
is called forward intuitively into my works as either formal or narrative
solutions.