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Annabelle
Canada
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1. Opening dream 01, 2005 gelatin silver print, printed by the artist, ed of 8 each, price and dimension on request 2. Opening dream 16, 2005 gelatin silver print, printed by the artist, ed of 8 each, price and dimension on request 3. Opening dream 21, 2005 gelatin silver print, printed by the artist, ed of 8 each, price and dimension on request 4. Opening dream 24, 2005 gelatin silver print, printed by the artist, ed of 8 each, price and dimension on request |
Opening Dream is a series of 29 photographs of nature. During the summer of 2005, I photographed trees, plants, flowers and their roots while I found myself shrouded by the magic of their presence and the importance of their role in nature. Dream becomes reality in a prodigious, stunning and extraordinary arousal of admiration. This nature truly exists in Lotbinière which borders the Quebec Saint Lawrence River’s south side. Ice flow and tide have, over the years, been harsh to this wild vegetation. I photographed this nature as though it were alive and gifted with the presence of spirits. Certain cultures believe that trees are not only a liaison between heaven and earth but also sometimes the home of spirits. Look carefully and you can imagine the presence of shapes or beings which could be better detailed. The subject’s brutal energy is palpable and sometimes ugly alongside beauty and delicacy. The natural formation of branches and roots produce fascinating lines and shapes. Plants are very close to mankind yet they belong to a different world: a surreal world, a world of dreams and of sensitivity beyond our realm. The various stages of transformation, the presence of a caterpillar on a new leaf basking in the sunlight and among the sound of waves, combine to offer a performance, a poem, a spectacle. Flowers and rhizomes share the floor beside deeply rooted and indestructible yet broken and aged trees. The formidable force of nature is witnessed in this desolate wilderness which combines both dreams and reality.
note:
Opening Dream prints were produced in June 2006 in Madrid, during the
‘projecto fotografico’ of Casa Encendida . My laboratory work was greatly
influenced by the lighting of the city which dazzled me throughout my stay
in Spain and which I attempted to reproduce through the presentation of an
amalgam of a landscape of Québec. I would like to extend my thanks to Deneb
and the photographym laboratory team for their precious help and advice.
Many thanks to the obras Social of the Caja Madrid and also to Casa
Encendida who received the 2/8 copy as a token of my appreciation.